And – he said in another lesson – let's play that 4NT is always Blackwood, and then we won't get into a muddle when it's not clear what is going on.
Later, other wise heads taught me that when playing pairs there was little point in stopping in five of a minor, since everyone in 3NT would probably score better. You might as well bid six, they said.
Being a good pupil, I took all this on board, and realised that once we had passed 3NT with no major fit in sight, six of the minor was the next available stopping place. Yes, my mentors all agreed, and that is why you shouldn't go past 3NT unless you can count twelve tricks.
This is all common knowledge amongst club players, which is why a likely result on any duplicate night is 3NT+2 for a flat board when six of a minor is stony cold.
A little older and wiser, I now realise that these advices were well meaning but only partly true. In Chilli we have gone some way to relieving the tyranny of the 3NT road block by making 4NT available as another stopping point, so that we can afford to put our toe in the water and then swiftly remove it again if it's too cold. Now we're going to go a little further ...
What do you want to do after partner opens 1






That would be the right thing to do most of time, but every so often partner will turn up with a minimum flat hand, a fit for one of your minors and an empty heart doubleton. Now 3NT will probably go down on the obvious heart lead, and five of the fitting minor looks like too much of a stretch with only 26 points and two balanced hands between you. For once the right thing would be to explore 3NT and then to play in four of that minor.
It would be quite simple to make the 2



If instead 4

My suggested answer comes from looking at what jumps to the four-level opposite 3

Suppose partner has never bid the major but you have. So you are setting some strong suit, but then you could and – more importantly – should bid three of the major, a forcing suit-setter. I say 'should' because partner should be given the chance to re-evaluate his hand in the light of your unilateral suit-set, and space to then express an opinion (which might be 3NT to play or values-for-five, for instance).
Exactly the same argument applies if you are giving delayed support to partner's major i.e. setting a Moysian fit.
And we don't need to stop at four of a major: a jump to 5


Exactly the same analysis applies opposite 3



So what we can say is that a jump suit bid opposite a neutral three of a minor is something we will never hear, and therefore these bids become prime candidates for re-use. What I have in mind for them is that they should all be fit bids agreeing the minor, and then interpreted as if we were already in the fit auction.
A simple schedule should clarify. Opposite 3

- 4
: to play (i.e. values-for-four)
- 4
: values-for-five
- 4
: Keycard Ask
- 5
/5
/5
: Exclusion Keycard Asks
And similarly for clubs. After either values-for-four or values-for-five, partner can continue in standard fit style, including the cheapest side-suit as the Keycard Ask.
Providing this special treatment for the minors does seem right. They get badly neglected up to this point, and they do not have the luxury of the 2NT agreement available to the majors, so they should have some extra tools when they do finally get their moment in the sunshine.
To support good minor suit bidding we need the right mix of encouragement to go beyond 3NT to explore minor fits coupled with good ways of stopping safely. In combination with 4NT to play, I think this provides just that, as well as relieving any fear of the unknown associated with the 2

Alan
The Chilli bidding system is described and defined at chillibidding.org.